- Distorted Evolution Fantasy For Omnisphere 2 Download
- Distorted Evolution Fantasy For Omnisphere 2 Free
- Distorted Evolution Fantasy For Omnisphere 2 Free
'Distorted Reality Vol. 2 is a work of genius. It's taken me ages to review, firstly as there is an awful lot of material to get through, and secondly so many of the sounds just invite you to play with them. Even though a sound can be so abstract it still sounds musical..The first volume was very good indeed, Volume 2 is even better. The amount of effort that has gone into the collection must have been tremendous, almost every sound has subtle movement, complexity, depth and evolution to it. The end result is a stunningly brilliant collection of sounds. Certainly if your going to buy only one volume I'd suggest Volume 2, but save up for Volume 1 as well as they are an ideal compliment to each other. All of the sections of the collection are very strong, I particularly liked the pad like sections, ambience, pads, drones & sweeps, the groove loops are brilliant and the loops in general I thought very good, perhaps a little more usable that the first volume..a truly excellent collection..for almost anything that you'd like a synthetic sound in then I would but this No.1 on your shopping list. A masterpiece in sample production..as a sign of how much I like this collection, and I've got more than most people !, is that this is now my favourite sample CD of all time. A very clever, well constructed and usable collection of unusual sounds. Makes you happy you own a sampler.'
-Sounduser.com perfect quadruple 10 review
'..possibly the most anticipated sequel in soundware history..this second twisted journey into the realm of darkness and light from veteran producer Eric Persing takes bold new strides into territories that the original Distorted Reality only hinted at..a tour de force collection of soundscapes..These samples move around the listener, snaking in and out from left to right, and behind and in front of the speakers..If you have even a slight interest in non-acoustic sounds for remix chores and film work, then you've come to the right place..How does the new kid compare to the original? For me, these two discs are a marriage made in heaven and, er, hell. Heaven thanks to the lush pads, beds, and ambient textures that abound throughout; hell because of the killer twisted grooves, drones, and sweeper patches. Almost every patch on DR2 stimulated my creative process. A big addition to DR2 is the inclusion of mod wheel effects such as filter sweeps, panning, and crossfading..endless, ethereal loops in a style similar to Brian Eno's mid-'70s experiments. All of the Drone and Sweeper volumes are chock-full of instant mini sci-fi movie score ideas..It wasn't a question of which samples I should use, but which ones I shouldn't use; there's so much excellent material to choose from..the dry, distortion rhythm loops, like 'Fuzz Pocket.' Trent Reznor would be proud..thumbs-up to the sweeping sound effects in the Reverse category. Great for transitions between verses and choruses..love those gnarly sci-fi pads and effects in the Fuzz section. There's just too much great stuff here to single out..I came up with dozens of inspired rhythm tracks within the first few minutes of playing with it..Spectrasonics is revered for their high standards in the sampling CD world. The Distorted Reality series brings us closer to the exotic and weird domains than ever before..The original Distorted Reality is still considered one of the top sources for bizarre, evocative loops and effects. Spectrasonics had a lot to live up to with DR2, and they didn't disappoint.'
-KEYBOARD 10 of 10 review and KEY BUY award
'Distorted Reality II must be one of the most anticipated sample CD ROM sequels of all time, but I can tell you now it really was worth waiting for. Distorted Reality II makes use of sound mangling toys that weren't even available when Volume 1 was made, many of which are software based..the rich textural pads, drones and backgrounds are the real stars..weird pads and drones in abundance, some pulsating, some shimmering, but unlike so many computer generated samples, many of these are quite beautiful with an evolving, changing character reminiscent of a Wavestation on acid..the spectrum of sounds goes far beyond mere dance music - this is serious film/TV/ambient/sci-fi fodder of the highest quality..don't get the idea that all the sounds are lush and cuddly because we also have Discordant ambience, Gothic Towers, Mutant SFX and Nastee Fuzz to name but a tiny slice of what's available..The only reason I'm giving this set five stars is because the art department refuse to create new graphics for five and a half stars!'
-SOUND ON SOUND 5 star review
'This is one of those rare instances where the sequel surpasses the original, and considering how good DR1 is, that's saying a lot..I can't recommend this CD highly enough if you're looking for evocative, innovative textures and loops.'
-Craig Anderton EQ magazine review
'Without reservation, DR 2 is just as stunning as the first one.'
-Pro Sound Review
-Sounduser.com perfect quadruple 10 review
'..possibly the most anticipated sequel in soundware history..this second twisted journey into the realm of darkness and light from veteran producer Eric Persing takes bold new strides into territories that the original Distorted Reality only hinted at..a tour de force collection of soundscapes..These samples move around the listener, snaking in and out from left to right, and behind and in front of the speakers..If you have even a slight interest in non-acoustic sounds for remix chores and film work, then you've come to the right place..How does the new kid compare to the original? For me, these two discs are a marriage made in heaven and, er, hell. Heaven thanks to the lush pads, beds, and ambient textures that abound throughout; hell because of the killer twisted grooves, drones, and sweeper patches. Almost every patch on DR2 stimulated my creative process. A big addition to DR2 is the inclusion of mod wheel effects such as filter sweeps, panning, and crossfading..endless, ethereal loops in a style similar to Brian Eno's mid-'70s experiments. All of the Drone and Sweeper volumes are chock-full of instant mini sci-fi movie score ideas..It wasn't a question of which samples I should use, but which ones I shouldn't use; there's so much excellent material to choose from..the dry, distortion rhythm loops, like 'Fuzz Pocket.' Trent Reznor would be proud..thumbs-up to the sweeping sound effects in the Reverse category. Great for transitions between verses and choruses..love those gnarly sci-fi pads and effects in the Fuzz section. There's just too much great stuff here to single out..I came up with dozens of inspired rhythm tracks within the first few minutes of playing with it..Spectrasonics is revered for their high standards in the sampling CD world. The Distorted Reality series brings us closer to the exotic and weird domains than ever before..The original Distorted Reality is still considered one of the top sources for bizarre, evocative loops and effects. Spectrasonics had a lot to live up to with DR2, and they didn't disappoint.'
-KEYBOARD 10 of 10 review and KEY BUY award
'Distorted Reality II must be one of the most anticipated sample CD ROM sequels of all time, but I can tell you now it really was worth waiting for. Distorted Reality II makes use of sound mangling toys that weren't even available when Volume 1 was made, many of which are software based..the rich textural pads, drones and backgrounds are the real stars..weird pads and drones in abundance, some pulsating, some shimmering, but unlike so many computer generated samples, many of these are quite beautiful with an evolving, changing character reminiscent of a Wavestation on acid..the spectrum of sounds goes far beyond mere dance music - this is serious film/TV/ambient/sci-fi fodder of the highest quality..don't get the idea that all the sounds are lush and cuddly because we also have Discordant ambience, Gothic Towers, Mutant SFX and Nastee Fuzz to name but a tiny slice of what's available..The only reason I'm giving this set five stars is because the art department refuse to create new graphics for five and a half stars!'
-SOUND ON SOUND 5 star review
'This is one of those rare instances where the sequel surpasses the original, and considering how good DR1 is, that's saying a lot..I can't recommend this CD highly enough if you're looking for evocative, innovative textures and loops.'
-Craig Anderton EQ magazine review
'Without reservation, DR 2 is just as stunning as the first one.'
-Pro Sound Review
Spectrasonics released their flagship synthesizer Omnisphere back in 2008. Since then it’s become known to professional sound designers and discerning producers as a feature-rich synth that’s capable of creating lush organic and synthetic soundscapes in the studio in addition to being an expressive and fully customizable performance tool.
The highly anticipated Omnisphere 2 was recently released and boasts many features that expand its sonic palette even further. It now includes a library of more than 12,000 classic and modern sounds that includes the Spotlight EDM library, all of which is easily accessible through Omnisphere 2’s intuitive new browser. Spectrasonics Omnisphere 2 is one of the most popular plugins among Splice users – Sign up for a free Splice account to download full Abelton Live, FL Studio, and Logic projects that make use of Omnisphere 2’s features and read on to discover some of the ways that it can contribute to your production toolkit.
- Omnisphere 2.6 includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller.
- 'Distorted Reality Vol. 2 is a work of genius. It's taken me ages to review, firstly as there is an awful lot of material to get through, and secondly so many of the sounds just invite you to play with them. Even though a sound can be so abstract it still sounds musical.The first volume was very good indeed, Volume 2 is even better.
Sep 20, 2019 Distorted Evolution Vol 1,2,3 Download Included Files:- Distorted Evolution 1 – Deep Space textures for Omnisphere 2 Distorted Evolution 2 – Cinematic Horror for Omnisphere 2 Distorted Evolution 3 – Fantasy for Omnisphere 2 Homepage:-plughugger.com You may also like:Wave Arts Powersuite v5.87 / v5.89 WIN-MACOrchestral Tools Berlin Woodwinds EXP A.
Main Page
Omnisphere 2’s Main Page is where you’ll access most of its primary controls. It’s here that you can adjust global tuning and performance parameters that affect all aspects of Omnisphere 2’s sound and behavioral characteristics. The Main Page is also where you can adjust global parameters such as overall amplitude gain, MIDI channel routing, and audio output routing. The Master Filter section at the bottom of the Main Page provides you with a global Highpass and global Lowpass filter with adjustable Cutoff and Resonance controls.
Notes view offers an overview of the currently selected patch, while Layers view provides a more detailed look at the various layers that combine to create it. Each patch that you create using Omnisphere 2 can be constructed of components derived from both Waveforms and Soundsources, which you can freely explore by cycling through them in this window.
Soundsource Zoom gives you further control over the sound and behavior of Soundsources by allowing you to adjust virtual microphone placement, selection of playback algorithms, articulation modes, legato settings, and more.
The Oscillator Zoom section provides you with advanced options for sculpting your sounds and is the center of Omnisphere 2’s sound design capabilities. It’s here that you can choose from over 400 available wavetables and access several synthesis modes including FM, RM, Waveshaper, Unison, Harmonia, and Granular. You can use the Shape, Symmetry, and Hard Sync sliders to adjust the shape of the selected wavetable and alter its characteristics.
Orb Virtual dj crack free download.
Omnisphere 2’s Orb is one of its most unique and defining features, and functions equally well as both a production and performance tool. The Orb allows you to instantly manipulate a sound in many different ways by introducing dynamic gestures to macro parameter automations in a way that’s far superior to what’s possible with a standard X/Y controller. Spectrasonics has also developed the Omni TR controller app for Apple iPad which is the perfect controller for the Orb and is available for free at Apple’s digital App Store. Every single patch in Omnisphere 2 has this capability, and operation of the Orb couldn’t be simpler. The closer to the edges of the circle the cursor is moved, the more dramatic the changes will be – moving the cursor to the center of the Orb or pressing the Clear button returns the sound to its original state. The overall intensity of the sound modification is determined with the Depth slider. A completely new set of manipulations can be chosen at any time by simply clicking the Dice button, which instantly creates a brand new group of modifications and effects. The Orb can also be setup manually and used as a modulation source in Omnisphere 2’s Mod Matrix or automated within your DAW.
Audio Import
Distorted Evolution Fantasy For Omnisphere 2 Download
![Evolution Evolution](/uploads/1/2/6/0/126026437/837761154.jpg)
New to Omnisphere’s latest edition is the ability to import your own audio for use as Soundsources. This feature allows you to process your own audio the same way you would with any of the included Factory Soundsources. You can manipulate your audio using any of Omnisphere 2’s synthesis capabilities as well as any of the onboard effects modules provided. This means that you can import any audio loop, vocal sample, or even an entire mix to transform the audio into something completely different. See what Spectrasonics founder Eric Persing has to say about some of Omnisphere 2’s latest features in the video below:
Distorted Evolution Fantasy For Omnisphere 2 Free
FX
Omnisphere 2 comes with a powerful selection of 58 high quality effects that can be used as either sends or inserts. Almost all of the FX parameters loaded in Part Racks can be modulated with any modulation trigger source, meaning that FX can be fully integrated into the synthesis architecture and character of a patch, which makes using them much more integrated and powerful than using standard FX plugins alone. In addition to individual FX Presets you can also load or save Rack Presets, which recall entire FX chains with all of their settings intact.
Arpeggiator
Distorted Evolution Fantasy For Omnisphere 2 Free
Omnisphere 2 has a built-in Arpeggiator that features multiple modes and trigger options paired with a variable-length 32-step Pattern Programmer. Version two provides enhanced melodic flexibility with the addition of a per-step note transposition feature.
Mixer
The Mixer section offers a comprehensive overview of all Parts contained within a Multi. It provides you with Mute and Solo switches for fine-tuning specific Parts and level sliders for mixing the various Parts together to taste. A Pan control is also included for placing each Part within the stereo field, as well as four Aux Sends which correspond to the FX section.
Stack Mode
Omnisphere 2’s Stack Mode gives you fine control over specific performance and playability parameters. Stack Mode makes it possible to create splits, layers, and crossfades for up to eight Parts simultaneously, all controlled from a single MIDI track or from a single controller. With Notes, each Part region is mapped to a MIDI note range, allowing you to map splits, layers, and crossfades across your keyboard. With Velocity, each Part region responds to a specific velocity range, which causes different Part regions to be triggered by playing harder or softer. With CC, Part regions can be switched and crossfaded using MIDI control change messages.
Live Mode allows you to seamlessly switch and layer patches on the fly. Live Mode was designed for use in a live performance environment, but is also an inspiring way to interact with the sounds of Omnisphere 2 in studio situations. It’s especially useful for recording multi-Part performances using a single MIDI track in your host sequencer. The Live Mode page has eight slots which each correspond to an Omnisphere 2 Part.The Omni TR controller app mentioned above also works with Live Mode and allows you to quickly stack and activate Parts. Patch names are always displayed in large and easy to read type so that they are clearly visible while performing on stage.
Browser
Omnisphere 2 ships with a massive library of over 12,000 sounds – its Browser offers a useful way to search, filter, and browse its contents. There are two types of Browsers in Omnisphere 2: the Full Browser and the Mini-Browser. The Full Browser occupies the entire Omnisphere 2 user interface, which allows for more refined searches and displays more results. The Mini-Browser occupies only the left area of the interface which allows the controls to remain accessible throughout and is convenient for editing sounds while browsing.
With Omnisphere 2, Spectrasonics have stayed true to the quality and character of the original Omnisphere while adding a host of brand new features that are sure to please both newcomers and long-time users alike. It’s currently available in AU, VST, RTAS, and AAX formats for both 32-bit and 64-bit systems. You can explore more of Omnisphere 2’s features and sounds by Splicing the projects below!
Splice is the cloud platform for music creation, collaboration and sharing.
July 7, 2015